Which witch sings defying gravity

The song is widely regarded as being the musical's signature song, although the songs " Popular " and For Good have lived up to its name as well. The musical has generally received thunderous applause after this song due to the song's status as a showstopper.

The song touches on elements from some earlier themes, with Elphaba singing "Unlimited! Idina Menzel , having reprised her role as Elphaba in the West End production of Wicked in , released a remixed "pop mainstream" version of the song as a single. It can be heard on her official website and purchased on the iTunes Music Store.

Kerry Ellis , who replaced Menzel as Elphaba in the West End production of Wicked, recorded a rock version of the song in as part of a single, Wicked in Rock, designed as a teaser for her debut album. It also appears on her debut album, Anthem. As well as Menzel and Ellis, London's Elphabas, Louise Dearman , and Rachel Tucker recorded their own versions of the song for their albums respectively.

Glinda : Spoken Elphaba , why couldn't you've stayed calm for once instead of flying off the handle! Sung I hope you're happy I hope you're happy now I hope you're happy how you hurt your cause forever I hope you think you're clever! Elphaba : I hope you're happy! I hope you're happy too! I hope you're proud how you would grovel in submission To feed your own ambition Both : So though I can't imagine how I hope you're happy Right now Glinda : Spoken Elphie, listen to me.

Just, say you're sorry. The musical concludes with Elphaba and her love, Fiyero, escaping Oz together while Glinda has changed for the better. Defying Gravity is one of the popular songs from the musical and concludes the first act. Elphaba has realised that the Wonderful Wizard of Oz is not good and has vowed to stand up to him.

It took me decades to realize there was a way out of the trauma and survival mode I lived in since childhood. Recovery taught me to trust the process. At times I have difficulty because it is vulnerable and there is potential for rejection.

I had very few models growing up that showed me the healthy side of trust. Defying Gravity means trying something even if I fail thousands of times. Elphaba is singing about liberation. Countless people have put me down and made me afraid to trust my own voice and the power within me.

Years of trauma work to undue this conditioning helped me to begin to love myself for who I am. Relationships with people who were closed off and did not want to love me for who I am reinforced messages that I was not good enough.

I have been fearful of losing love but, it was never there. Unconditionally loving people who cannot unconditionally love me comes at too high a cost.

I gave my all-in relationships past even when it was not reciprocated as I believed I deserved. I was lost in the shuffle. I do not regret loving others unconditionally. Love should be free and without conditions. My choice to love others when they cannot return it took its toll on my emotional, physical, spiritual, and psychological well-being.

Both Elphaba and my journey in recovery remind me that anyone who is incapable of showing me respect and unconditional love does not deserves my attention. By Defying Gravity, I get to take back my power and pursue self-love. Today I choose to fly solo and free. Ending unhealthy or toxic relationships allowed me to unlock dimensions of myself I neglected or chose to hide in vaults within me. Today I get to choose who I allow in my space. I will not beg for anything in relationships.

I choose to defy gravity today. My whole life I told myself that I was not musically inclined. When I was in my active addiction is used to play piano and sing without any proper music training. I would dissociate while pouring my unending streams of emotions onto a piano for hours at a time. When people would ask me what I was playing it was generally something I had made up.

I could not read sheet music. I could not even recall what I had played. I felt ashamed and down on myself. Often, I would describe myself as incompetent and not good enough.

Over the last year I made it a mission to take singing and piano lessons. As a young kid my dream was to be an opera singer like the greatest tenors Luciano Pavarotti, Andrea Bocelli and Placido Domingo.

I have discovered the power within my voice to make vibrant music and sing. Beyond my wildest imagination I never would have felt confidence to sing. In the almost two months that I began vocal lessons I unearthed a voice that has an expansive range with rich tones and vibrato, falsetto, and finesse.

Mixing my voice to belt notes in almost three piano octaves that I never thought were reachable. I would have thought you were crazy if you told me I would be singing opera, musical theater, and pop music and sounding like the greats of the world.

Years ago, I would have laughed if you told me where I would be today.